About Geoffrey Hudson
Composer Geoffrey Hudson’s music has been performed across the
United States and in Europe. His 2006 opera for young audiences, The
Bug Opera, was hailed as “clever and well-crafted, reminiscent of
Bernstein or perhaps of a light-hearted avuncular Stravinsky.” Himself a
cellist, Hudson has written often for strings, including string quartets, a
string quintet, a string sextet, a piano quartet, duets for viola and cello,
and chamber music combining strings and winds.
In 2003, the American Composers Forum commissioned Meeting Ground, a concerto for string quartet and orchestra
based on powwow music of the northern plains Indians, written for and premiered by the Chiara String Quartet and the
Greater Grand Forks Symphony Orchestra. Other recent commissions include Peal (2007), an orchestral work written
in celebration of the 75th summer of Greenwood Music Camp (Cummington, MA) and First Among Equals, a concerto
for viola and chamber ensemble (2002), commissioned and premiered by violist Sam Bergman and the Oberlin Contemporary Ensemble. First Among Equals was also
featured at the 23rd International Viola Congress (Minneapolis, 2004).
In recent years, the Minnesota Orchestra has presented two of Hudson’s works on its chamber music series: Mayor of the Nighttime City (1999) for flute, viola, and piano
and Quintet (1996) for two violins, two violas, and cello. Daydreamer, a solo work for flutist Christina Jennings, was commissioned in 2002 with support from the Mid-
American Center for Contemporary Music and has since been performed in eight states and at the 2004 National Flute Association Convention in Nashville. Hudson’s
catalog of works also includes several song cycles (From Rilke’s Orchards, On the Subject of Bugs, Seasonal Songs) and works for chorus (Two New England Songs,
Psalm 67, and Bird Songs) and orchestra. His score for the short film Recently, Long Ago appeared at the 2015 Palm Springs ShortFest.
Geoffrey Hudson received his undergraduate degrees at Oberlin College, where he studied American history and composition (with Richard Hoffmann) and earned a Master’s
in composition at New England Conservatory, where his principal teacher was Malcolm Peyton.